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Theses/Dissertations from 1995

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Trapped in tradition: William Carlos Williams' Patterson. Reconciling the "savage" and the "potential" Native American : Thomas Jefferson's Notes on the State of Virginia as a blueprint for Indian policy, Harold William Halbert

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Making sense of nonsense : winning the language game in Nu Noch. The dialogic style of George Gissing's New Grub Street. The "Cyclops" episode in James Joyce's Ulysses : Cursing the curse of Cromwell, or, Standing up to God's Irishman, Junianne M. Roe

Theses/Dissertations from 1994

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The other astrological conflict in Chaucer's wife of Bath : 'Contrarius' Mercury and Venus. Mirror, mirror : the faulty mirror in Charlotte Bronte's Jane Eyre and George Eliot's Adam Bede. "All opposites contained and reconciled" : Merle Hodge's Crick crack, monkey and Paule Marshall's Brown girl, brownstones, Tracey A. Cummings

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Disrupting the reading of the cultural other : Itabari Njeri's Every good-bye ain't gone. Standing on the dividing line: Elias Boudinot's "An address to the whites" and William Apes' "An Indian's looking-glass for the white man", Therese Marie Gyauch

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Trawling for students : a feminist perspective. Silence, fragmentation, and reformulation : women and language in the poetry of survival, Kathleen Haselton

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Scarlett and Sethe: ruled by race ruled by gender : an examination of the "unredeemable woman" in twentieth-century American literature, Darcy E. Howe

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The only good wife is a mad wife : antifeminism in Nu Noch. The injustice of rape : "The death of Amnon" and the sequestering of Tamar. "Spectator in the balance" : a classroom exercise in ritual and audience manipulation, Nicole D. Matson

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Mad women, mad world : the depiction of madness in Renaissance drama. Those crazy Scots : madness and transformation in the ballad tradition of Scotland, Amy C. O'Brien

Theses/Dissertations from 1993

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The buried life : Mrs. Gardiner in Jane Austen's Pride and prejudice. A "Golden field of vision" : reading in Pale fire. Pleasure on display : Female homosexuality and the unravelling of Basic instinct, Tracy Witherill Beck-Briggs

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God-like, or ungodly? : an analysis of the Pluto and Proserpine marriage in Chaucer's Merchant tale. Abdiel, Milton's "Servant of God", Randy L. Boone

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Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The veils of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks, Ann Maureen Cavanaugh

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Expanding the canon : cultural identity and gender in Native American and Mexican American texts (interpretations of Anna Lee Walters' Ghost singer and of Sandra Cisneros' The house on Mango Street, Melissa J. Fiesta

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Adaptation as interpretation : three versions of King Lear. Prison in theatre : confinement as a microcosm of our society, Charles French

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A dark girl alone : identity and self image in Brown girl, brownstones, Maud Martha and The bluest eye. Can this woman be trusted? : cross-dressing, autonomy and sexuality in The roaring girl and The fair maid of the west, Jennifer B. Goldfarb

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With fairy forth Y-nome... (SO, 1.169) : a study of the fairy abductions and rescues in "Thomas Rymer," Tam Lin," "Sir Orfeo," and "Sir Launfal", Sandra Marie Guy

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Re membering Eve : Ephanie's self creation in Paula Gunn Allen's The Woman who owned the shadows and, The cost of desire : adultery in Peter Nichols' Passion play and Marguerite Duras' Vera Baxter, Vanessa Holford

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Thes knyghtes presoners : literal and figurative prisons in Malory's "Tale of Lancelot", Christine G. Lynch

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Isn't it pretty to think so? : theatricality and The sun also rises. Does the shadow know? the "Between" and Hemingway's "The battler". Philosophizing badly?: hypertext and the politics of empowerment, John Madritch

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Andrew Marvell : giving voice in three lyrics, Kathleen Anne Mosher

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Bold faith and secret unbelief : a study of two Anglican clergymen, St. John Rivers in "Jane Eyre" and Harold Gwynne in "Olive", Lou-Ann Doherty Rogers

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Meeting : the work of Martin Buber and Gerald Stern, J. (John) R. (Richard) Smith

Theses/Dissertations from 1992

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Frames in James : The Turn of the screw, What Maisie knew, and The Ambassadors, Paul Gorman Beidler

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Shakespeare's tragic ghosts : psychological manifestations of guilt. Coming of age in "Seventeen Syllables" and other stories, Daniel Diana

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A soldier's a man : A study of the soldiers in Shakespeare's Much ado about nothing, All's well that ends well, Othello, and Coriolanus, Denise Manners Miscavage

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The realistic fantasy : the creation of a new literary genre in the works of H.P. Lovecraft, David A. Oakes

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Containing knaves and fools : the novel, Religious courtship and didactic literature, Christine Muriel Pense

Theses/Dissertations from 1991

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senceless, stigmatik, ballad Balderdash : the political construction of Sir John Suckling as Cavalier poet, Simon Nicholas Morgan-Russell

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Self-sacrifice as desire : Anthony Trollope's Eleanor Harding and Alice Vavasor, Arlene Rodriguez

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George Eliot's "Daniel Deronda" : recursive effects and the effect of recursion, Theodore Irvin Silar

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Eliot's didactic pastoral, Paula Ann Stanwick

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Little Dorrit and 'The structure of feeling' : novel form from the liminal to the penitentiary, Paul Edward Winters

Theses/Dissertations from 1983

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Irony in Joseph Conrad's Victory., Bernard Antonin Baudot

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Direction by indirection: A study of begging devices in Widsith and Sir Orfeo., Eileen M. Bilsak

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Comedy in Eugene O'neill's Long Day's Journey Into Night., Martin Kich

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The Web of Stories in Che Work of Leslie Marmon Silko., Kristy S. Long

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The rise of David Levinsky: Autobiographical mask for a dispossessed American Adam., Marilyn F. Mackes

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The suffering servant and salvation in Piers Plowman: An interpretation of the B-text., Alfred Aurelio Ruggiero

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Bleak House's Esther Summerson: The Development and Integration of Character and Narrator., Anna Maria Smacchi

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The Character of Ralph Touchett; Mere Spectatorship at the Game of Life?, Timothy Brent Wuchter

Theses/Dissertations from 1982

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Disguise and identity in the "Eumaeus" chapter of James Joyce's Ulysses., Robert J. Becker

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Sisters of song: Tillie Olsen's Women., Susan Mazza Sullivan

Theses/Dissertations from 1981

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The virtues of distance in E. M. Forster's Where Angels Fear to Tread., James Benner

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Images of Adversity: A Chronological Study of Women in Selected Plays by Eugene O'Neill., Loralee Anne Choman

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A jeremiad for the technological society: Kurt Vonnegut, Jr.'s The Sirens of Titan and American Puritan sermons of the seventeenth century., Judith Adams Mistichelli

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Didacticism in Mansfield Park and Belinda: A case study., Cynthia Anne Naylor

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The hero as storyteller: Norman Mailer's portrait of Gary Gilmore in The Executioner's Song., Rosa Palmer Salter

Theses/Dissertations from 1980

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The eye of the storm: Narrative perspectives in What Maisie Knew., Sally R. Campbell

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Hawthorne's doctors a study of the technical achievement of complex sympathies., Mary Sauter Comfort

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Woolf's omniscient point of view., Alleeda Gail Davies

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A glossary to Aelfric's Exameron Anglice or the Old English Hexameron., Christa N. Norville

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Rosalind in the twentieth century: An analysis of performances by Edith Evans, Katherine Hepburn and Vanessa Redgrave., Mary Ann Pasda

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Vieux Carre: The young writer revisited., Natalie Eplnger Ruyak

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The narrative perspective of consciousness in Henry James's "The Lesson of the Master"., Judith E. Smullen

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The function of verse in J.R.R. Tolkien's Lord of the Rings., David Trautmann

Theses/Dissertations from 1979

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Pope's Essay on Criticism; advancing a laudable tradition of wit., Stephen J. Szilagyi

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"Water and the spirit" a study of Henry Vaughan's developing style in Silex Scintillans., Margaret G. Wolitarsky

Theses/Dissertations from 1978

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Love and marriage in works of Edith Wharton., Marjorie Elizabeth Andrews

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The Floating Opera: Existentialism and beyond., Friedhilde Lisa Beebe

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The anterooms of history: Uses of the past in "The Custom-House" and The Man Who Shot Liberty Valance., Robert Gibb

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Words, links, and meaning: The versification of George Herbert's The Temple., Carol Ann Pulhaa

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Darkness, Dreams, and Dungeons in Hawthorne's The Marble Faun and Selected Shorter Works., Helen M. Richards

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V. S. Naipaul's Br. Biswas and the search for necessity., Ronald A. Williams

Theses/Dissertations from 1977

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Feminine mythic patterns in Doris Lessing's The Summer Before the Park and The Memoirs of a Survivor ., Maureen Burke Adams

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From the Edge of Eternity: The Role of Stanhope in Charles Williams' Descent Into Hell., Andrew Green

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The writer-knight: A critical study of Malory, Steinbeck, and The Acts of King Arthur and his Noble Knights., Gary S. Hauk

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The alliterative revival and a suggested interpretation for The Parlement of the Thre Ages., Judith C. Moran

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Thoroughfares and detours: A Jungian analysis of the development of consciousness in Jane Eyre and Villette ., Lissa Richardson Strober

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A Mythical Approach to Christian Orthodoxy: C. S. Lewis's Space Trilogy., Sharon Lee Wilson

Theses/Dissertations from 1976

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The compliment in Milton's Comus., Phillip L. Bodey

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Structure and character in "Ithaca"., Eugene Michael Gorsky

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"A larger imperative" the vengeance of Mink Snopes., Roy J. Hertz

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Ernest Hemingway and James Joyce: A view of the artist-narrator in "In Another Country" and "Araby"., Dawn G. Lennon

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The mystical Nick Adams: A consideration of the positive nature of Nick's retreat in "Indian Camp"., Richard Joseph Metzger

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Didacticism in the historical poetry of Michael Drayton., Linda Anne Salathe

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Game systems in "What Maisie Knew"., Bobbie Stiles

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Method in To the Lighthouse: Diffusion and Synthesis., Elaine M. Toia

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The nature of the dream in The Great Gatsby., James D. Wolfe

Theses/Dissertations from 1975

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Unity in Chaucer's Canterbury Tales: A Study of Interrelationships in Four Pairs of Tales., Carole K. Brown

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Form in selected plays of Eugene O'Neill., Tarcisio S. Campo

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Archetype and reality: Psychological approaches to "The Fall of the House of Usher"., Wray Congdon Herbert

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Hemingway's "Fifty Grand" and "The Undefeated": Doing What You Can., Jack McCallum

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The Blinding Light in all this Hopeless Darkness: The Theme of Illusion in edward Albee's "Who's Afraid of Virginia Woolf?"., Beth Anne Spanninger

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A Critical Analysis of Fitzgerald's Beautiful and Damned., Thomas S. Spencer